The movie adaptation of ancient Indian poet Kalidasa’s revered poem is a visually stunning spectacle. The grandeur of the CGI and action is evident right from the start, with Dushyant’s heroic act of saving a village from wild beasts. The love story between Shakuntala and Dushyant is portrayed in a dreamlike and colourful setting, replete with butterflies, peacocks, deer and flora. The film’s grandiosity extends to the stop-motion animation of mythological backstories.
While the visual appeal is captivating, the storytelling falls short. Director Gunasekhar plays it safe with a straightforward narrative that covers a series of events without venturing too boldly. Mani Sharma’s melodious soundtrack complements the cinematic experience.
Samantha Ruth Prabhu is divine in her role as the flower-laden Shakuntala and later as the queen. She delivers on-point expressions in each scene, portraying an innocent beauty, a helpless wife, and an indignant woman. Dev Mohan’s portrayal of the righteous king, fearless warrior, and pining lover is equally powerful. Madhoo’s cameo as Menaka is impactful.
The movie also offers glimpses of anecdotes from Indian mythology. While the focus is primarily on Shakuntala’s love story, her single-handedly raising their son in the sage Kashyap’s hermitage would have made for an interesting subplot.
Shaakuntalam is releasing in multiple languages and is best enjoyed in theatres for the opulent sets, elaborate war sequences, and ostentatious costumes that transport the audience to the abundant world of mythicism.
